Friday, May 30, 2014

Semi-popular


”Only five thousand people ever bought a Velvet Underground album, but every single one of them started a band” — Brian Eno 



"The last two years have seen the development of a new phenomenon, which I call semipopular music. Semipopular music is music that is appreciated – I use the term advisedly – for having all the earmarks of popular music except one: popularity. 

"Just as semiclassical music is a systematic dilution of highbrow preferences, semipopular music is a cross-bred concentration of fashionable modes. I'm not putting it down, for this is the music I am always praising ecstatically. (...) Indeed, since writers and musicians usually prefer semipopular music, some of it even becomes popular; The Band and the Grateful Dead and Rod Stewart could all be argued into the category. My favorite examples, however, are untarnished by such associations. First is the Flying Burrito Bros., who on their first album offered the most outrageous combinations of pedal-steel and wah-wah distortion, verbal obscurity and country soul, all through the medium of a lot of ex-Byrd not-quite-stars. But even better is the Stooges, whose sole purported attraction, Iggy, continues to possess every star quality except fame." - Robert Christgau, 1970

I'm in love - what's that song?


A crash course in Alex Chilton

Disciples paying tribute:


The Boxtops (1967-1969):


Unreleased solo demo 1970:


Big Star (1972-1975):

13   
Kangaroo   

Chris Bell solo (1977):


The Lost Years (1975-1985):

My Rival   

Successful in Spite of Himself (1985-2010, R.I.P.):

No Sex   

Wednesday, May 28, 2014

Tougher Than Tough

Ska / Rock Steady / Reggae / Dub / Dancehall: 20 years of Jamaican pop



Tuesday, May 27, 2014

STONES


Another Spotify playlist - much longer, but the Stones were really, really good for a few years there...


Rolling Stones


Friday, May 23, 2014

Bob Dylan

I am very sorry for the inconvenience, but it turns out that Columbia Records polices You Tube with such meticulous ruthlessness that NOTHING by Dylan is available there save (horrible) cover versions, (mostly terrible) later career concert versions and the like.

In order to allow you to hear enough Dylan to get a feel for his music and make sense of Tuesday's film, I created a playlist on Spotify:

Dylan

You will have to download Spotify - which is free, and which you'll be prompted to do if you follow the link. Sorry about that, but short of burning 11 or 12 CDs this weekend, it seemed like the best solution.

The playlist begins with the famous 1966 live version of "Like a Rolling Stone" from Manchester, England. It opens with a folkie, outraged by the presence of a loud electric band (The Hawks, later to become The Band), yelling "JUDAS!" at Dylan, who responds, "I don't believe you - you're a LIAR!" then tells his band to "Play fuckin' loud." They do.

It then jumps back a couple years with several songs from the studio albums that made his reputation as he moved from king of the folk revival to rock star.

"Maggie's Farm" is the 1965 live version that scandalized the Newport Folk Festival: Pete Seeger allegedly had be restrained from taking an axe to the power cables to make the band stop.

We then leap forward two years to the Basement Tapes, the peculiar demos Dylan recorded with The Band in a big pink house in Woodstock as Dylan recovered from a near-fatal motorcycle accident right after the British tour we heard on the first track.  These four songs give a sense of the weird, funny Americana of these sessions - bizarre characters straight out of backwoods tall tales and music that that sounds like it would fit just as well in a Wild West bar room or a carnival as a rock and roll record.

After that, it's a tour of his later career, running from 1968 to 2001, hitting major points like his initial comeback after the accident; the bitter music that followed a divorce; his conversion to fundamentalist Christianity; and the surprising return to form in the 90s and 00s after nearly twenty years of haphazard inspiration.

It all ends with "I'm Not There," the most mysterious of The Basement Tapes tracks. This was the Holy Grail of lost Dylan material until Todd Haynes made Tuesday's film, named after the song, and the soundtrack featured the recording.

Thursday, May 22, 2014

60s part 2


            
            
            
                        
            
            
                        
            
            
            
                        
            
            
            
            
            
            
            
            

            
            
                        
            
                        
I Want You Back – The Jackson 5            

Break on Through – Doors            

Wednesday, May 21, 2014

60s part 1: New Orleans, Girl Groups, British Invasion, Garage Bands, Motown, Stax/Volt...


           
          
                       
                                   
            
            
            
           
            
                        
            
            
            
            
            
            
                        
            
            
            
            
            
                        
            
                        

Monday, May 19, 2014

AND SO IT BEGINS…



THE FAT MAN – Fats Domino            




MYSTERY TRAIN – Elvis Presley            


TUTTI FRUTTI – Little Richard            

OOH MY SOUL! – Little Richard            


SAY IT – Five Royales            



ONE NIGHT – Elvis Presley            

GOOD LOVIN' – Clovers              




PRETTY THING – Bo Diddley            


SAY MAN – Bo Diddley            



I'M TALKING ABOUT YOU – Chuck Berry               


RED HOT – Billy Lee Riley             

C'MON EVERYBODY – Eddie Cochran            


MATCHBOX – Carl Perkins            



ROAD RUNNER – Bo Diddley               

Saturday, May 17, 2014

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